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'Bill & Ted's Bogus Journey (Music From The Motion Picture)' is the soundtrack to the 1991 film of the same name.

'Meantime' is the second studio album by Helmet. Despite initially only achieving moderate commercial success, peaking at number 68 on the Billboard 200 chart upon release in 1992, the album influenced multiple bands in its wake, and has been well received by music critics and is considered an influential album of the metal genre. It has continued to sell consistently well in the years since its release, and in 1994 was certified gold by the Recording Industry Association of America. The album has sold over 2 million copies worldwide.

'Bigger, Better, Faster, More!' is the only studio album by 4 Non Blondes. The album itself went platinum, accumulating sales of 1.5 million copies in the United States alone and 6 million copies worldwide.

'Betty' is the third studio album by Helmet. It is thier highest charting album in the U.S. Rob Echeverria (guitarist of New York hardcore band Rest in Pieces) replaced Peter Mengede on guitar. After recording and touring in support of the album, Echeverria left Helmet in 1995 to join Biohazard; however, his departure was more amicable than Mengede's.

'Smells Like Children' is the first E.P. by Marilyn Manson. Although referred to as an E.P., it is actually over 50 minutes in length. Produced by Trent Reznor of Nine Inch Nails, it represents an era of the band full of drugs, abuses, tours, sound experiments, and references to the Child Catcher, a villain from the 1968 musical film Chitty Chitty Bang Bang. The E.P. was initially proposed to strictly be a remix single for 'Dope Hat', but various contributions by engineer and Skinny Puppy producer Dave Ogilvie, Nine Inch Nails live keyboardist Charlie Clouser, and new material by the band resulted in an eclectic and unusual combination of material.

'Antichrist Superstar' is the second studio album by Marilyn Manson. It was recorded at Nothing Studios in New Orleans and produced by the band's eponymous vocalist along with Sean Beavan, former Skinny Puppy producer Dave Ogilvie and Trent Reznor of Nine Inch Nails. The recording of the album was marred by excessive drug use, which provoked a high level of antagonism between band members. Consequently, it was their last release to feature contributions from founding guitarist Daisy Berkowitz, who was acrimoniously fired partway through recording. A rock opera and a concept album, it was the first installment in a trilogy which included succeeding releases Mechanical Animals (1998) and Holy Wood (In The Shadow Of The Valley of Death) (2000). The central storyline on the album revolved around a supernatural being who seizes all power from humanity in order to initiate an apocalyptic end event; a populist demagogue who is driven solely by resentment, misanthropy, and despair, he uses his newfound position to destroy the world. The record can be seen as a social critique, utilizing this premise as a metaphor for the perceived fascist elements of the conservative political movement and the Christian right in North America.

'Aftertaste' is the fourth studio album by Helmet. Guitarist Rob Echeverria, who appeared on Helmet's previous outing, Betty (1994), left the group prior to recording to join Biohazard. Subsequently, the album was recorded as a three-piece, with Page Hamilton covering all the guitar parts. Guitarist Chris Traynor (formerly of Orange 9mm) joined for the supporting tour.

'New Old Songs' is a remix album by Limp Bizkit. The album contains hip hop remixes of songs from the band's first three studio albums Three Dollar Bill, Y'all (1997), Significant Other (1999), and Chocolate Starfish And The Hot Dog Flavored Water (2000). It is the sixteenth best-selling remix album of all time.

'Lest We Forget, The Best Of' is a compilation album by Marilyn Manson. The album was conceived by the band's eponymous vocalist as a 'farewell compilation', and was originally going to feature a duet with Shirley Manson of Garbage. Upon its completion, neither singer was satisfied with the duet, and it remains unreleased. It received mostly positive reviews from music critics, several of whom complimented its track listing. The compilation's commercial performance exceeded expectations in the United States, where it sold over 78,000 copies in its first week of release and had sold over a million copies as of late 2010. It was also successful internationally, peaking within the top 10 of national record charts in Austria, Germany, Spain, Sweden, Switzerland and the United Kingdom.

'Eat Me, Drink Me' is the sixth studio album by Marilyn Manson. It was recorded in a rented home studio in Hollywood by lead vocalist Marilyn Manson and guitarist and bassist Tim Skold, and was produced by Manson and Skold. It was the band's first album not to be recorded as a five-piece, as John 5 departed from the group in 2004. Manson has stated that he sang most of the album lying down on the studio floor with his hands cupping the studio microphone, resulting in a very distinctive vocal sound. Upon its release, it was met with positive reviews from critics, and debuted at number eight on the U.S. Billboard 200.

'Spider-Man, Turn Off The Dark (Soundtrack)' is the soundtrack to the Broadway musical of the same name written by U2's Bono and The Edge.

'A Different Kind Of Truth' is the twelfth and final studio album by Van Halen. It is Van Halen's only studio album on Interscope Records and its first full-length album of studio material with lead singer David Lee Roth since 1984. Likewise, it was Van Halen's first studio album since 1998's Van Halen III, as well as their only studio album recorded without bassist Michael Anthony, who had played bass on all of the band's previous albums; Eddie Van Halen's son Wolfgang replaced Anthony for the album, making this his only studio album with the band. It would also be Van Halen's final studio album before Eddie's passing and the group's subsequent disbandment in 2020.

'Nine Inch Noize' is a collaborative industrial album by Nine Inch Nails and German electronic musician Boys Noize, who perform under the collaborative banner Nine Inch Noize. The album consists of reworked versions of songs by Nine Inch Nails, a new version of a song by Soft Cell, and a cover of a song by How To Destroy Angels.