For Week Ending:
16 September 2023

Burzum - Burzum [Darkness] (1992)

[Black Metal]

Appreciation of art is a very personal thing, and by extension what is even considered art at all will vary between individuals. Music of course is a form of art, and a lot of art is extreme because it is often created not to purge emotion - but to incite it. The second wave of black metal introduced a new abrasive style of metal, that even today is a difficult listen for the uninitiated, and the first Burzum album led the charge of this new metal style. The music isn't an easy pill to swallow, and in 1992 even seasoned metalheads used to listening to Exodus and Slayer may have found the vocals and lo-fi production of this one-man-band to border on the side of too extreme. The riffs are deliberately cyclic and repetitive, taking an almost hypnotic form, and along with the grating treble-heavy production the album grinds on the nerves as each note is played. The tortured vocals are still to this day like no other human voice ever recorded, as they leap from the songs more as wrath-like banshee cries than vocals. All of this comes together to bring a coldness and agony to metal that had never been heard before, and decades later is still relatively unmatched.

Metallica - 72 Seasons (2023)

[Thrash Metal]

I have thought of a number of ways to address this review. Loving, accepting, scathing? I'm in the middle of the latter 2. There is very little I like about this release and a lot I don't like. 'Lux Eterna' is a killer track and deserves a place on any record from them up until now. Additionally, across most songs, A-plus rating to Kirk and his solos. The best as a collective I have heard for a long time. What I don't like - why was Rob not given an opportunity to shine, present an intro or something like he has in the past? Very disappointing. As for Lars, apart from 'Lux Eterna', he's hardly asked to move out of second gear. Useful I suppose if they play into their 80's. He'll have no trouble. Finally I read about the maturity and sincerity of James' lyrics and how personal they are. I have never listened like a Rhodes scholar into the meaning of his lyrics. That's not the reason I listen to music for. His singing of the chorus on a number of songs is cringe worthy. The title song is sloppy with his singing of Wrath of man in the chorus. He has never sung like that!! Finally a 11 minute song at the end when we are already 66 mins in. And it's not your typical Metallica last track. Slow paced and boring (apart from Kirk which as I said is the star of this record). Quality over quantity please. I've come to accept that I loved Hardwired ...To Self-Destruct so much, particularly it's variety per song, that this record is a step down and for the most part is a rock band playing stock music. Never thought I'd say that.

Arist Information
Metallica is an American heavy metal band formed in 1981 by vocalist and guitarist James Hetfield and drummer Lars Ulrich, and has been based in San Francisco for most of its career. The band's fast tempos, instrumentals and aggressive musicianship made them one of the founding "big four" bands of thrash metal, alongside Megadeth, Anthrax and Slayer. Metallica's current lineup comprises founding members and primary songwriters Hetfield and Ulrich, longtime lead guitarist Kirk Hammett and bassist Robert Trujillo. Guitarist Dave Mustaine, who formed Megadeth after being fired from Metallica, and bassists Ron McGovney, Cliff Burton and Jason Newsted are former members of the band. The band first found commercial success with the release of its third album, 'Master Of Puppets' (1986), which is cited as the band's best work. The band's fifth album, 'Metallica' (1991), was a turning point for the band that saw them transition from their thrash roots - it appealed to a more mainstream audience, achieving substantial commercial success and selling more than 16 million copies in the United States to date, making it the best-selling album of the SoundScan era. After experimenting with different genres and directions in subsequent releases, Metallica returned to its thrash metal roots in 2008.