TheBigBlack's Rock Top 10 |
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Cold Chisel
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David Gilmour
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Rose Tattoo
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Public Image Ltd. (PiL)
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Going solo (or at least creating a new band identity for yourself) after being in a ground breaking genre-defining band is always going to be tough. People like Paul McCartney and Robert Plant realised this, and struggled to find a new norm amongst their established audience. Johnny Rotten knew that post Sex Pistols his fans wanted to see him become more Rotten than ever, which is why he did the opposite - he became himself. Re-emerging as John Lydon, he introduced the world to PiL, a post-punk art-rock anomaly, that many fans were left confused and alienated by. There are shades of his former band buried here, but more in attitude than style. There are acerbic buzzsaw guitars, but they create atmosphere rather that riffs, and the spoken word poetry of Religion was likely too much for most mohawked glue-sniffers in 1978. There are still some 'real' songs here, with tracks like Annalisa and Public Image pumping out rock greatness, but for the most part this is an album (and band) designed to make you think, rather than pogo. |
Jeff Wayne
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Jethro Tull
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The Angels
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Bob Dylan
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AC/DC
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TheBigBlack's Metal Top 10 |
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Black Sabbath
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Judas Priest
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Judas Priest
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