Top 10 for 1989

TheBigBlack's Rock Top 10

Aerosmith
Pump

Rock | Album | 12 September 1989

Joe Satriani
Flying In A Blue Dream

Rock | Album | 30 October 1989

There is a lot of evidence that just because you are an exceptional guitar player doesn't necessarily mean you can write a song, and this evidence is usually found on the solo albums of great guitarists. Like any great artist is aware, knowing what to put where and how much of it to use is what makes or breaks the work. Sometimes great guitarists see their art as the lead-line or the shred, forgetting about the rest of the song, and those leads alone are not enough to carry repeats listens. Satriani has been guilty of this many times in his career, but on this album he found the perfect balance. From the moment the ethereal strums of the album's title track begin, the listener is transported to another place. That opening song nails the reason why the whole album works so well - the guitar line serves the song, rather than a song backing a guitarist. Track after track Satriani effortlessly (is there any other word to describe his playing?) weaves his leads and rhythms together like a patchwork quilt of ideas and styles and sounds. There is blistering pseudo metal on 'Can't Slow Down' and the track also gives us our first taste of something new to the guitarist's repertoire - vocals. Audiences were divided at the time, as it is safe to safe Joe's real voice can't quite sing like his guitar voice can, but it does create a welcome variation. 'Headless' and 'Strange' mix things up even further, whilst 'The Bells Of Lal (Part One)' works nicely as experiment in controlled feedback. 'The Mystical Potato Head Groove Thing' and 'Day At The Beach (New Rays From An Ancient Sun)' show off his insane level of finger tapping mastery, whilst 'Back To Shalla-Bal' is an all-out sonic assault. Whilst the variation in styles is one of the album's strong points, it doesn't always work, with tracks like the banjo-heavy 'The Phone Call' a better addition to the cutting room floor than the album (with or without vocals). Older fans will feel right at home with 'One Big Rush' and 'The Forgotten (Part Two)', showing off the more traditional 'guitar album' style. At just over an hour, the album hangs around long enough not to outstay it's welcome, and many of the songs are just long enough they don't lose their freshness. Although the majority of fans will still vote Surfing With The Alien from two years prior his best album, Flying In A Blue Dream often has the honor of being called a close second, and one listen should explain why.

Mudhoney
Mudhoney

Grunge Rock | Album | 1 November 1989

Motley Crue
Dr. Feelgood

Hard Rock | Album | 1 September 1989

D.A.D. (Disneyland After Dark)
No Fuel Left For The Pilgrims

Hard Rock | Album | 3 March 1989

In the late 1980's if you had long blond hair, an unbuttoned shirt, and played hard rock music - you were guaranteed to have a hit record. Often talent wasn't even particularly important, but a few bands - Disneyland After Dark being one of them - actually managed to release an album that was worthy of its successes. It wasn't the band's first album (and certainly wasn't their last), but it was the album where everything worked - and the inclusion of the baritone guitar lead lines through many of the songs gave it an extra edge that no one had ever heard before. They'd done similar on previous albums, but nailed it on this one. 'Sleeping My Day Away' was the perfect radio friendly first single to introduce the world to Denmark's best kept rock secret, and follow up singles like 'Girl Nation' and 'Jihad' really drove home their commercial, yet still edgy style - with infectious choruses that couldn't be ignored and the occasional barnstormer to get you bouncing around the room. Much like any bands of this style at the time, their quality didn't drop, but their audience did, and the band was mostly unheard of again, although they have continued to churn out albums of reasonable quality.

The Mark Of Cain
Battlesick

Alternative Rock | Album | 7 August 1989

Bob Dylan
Oh Mercy

Classic Rock | Album | 12 September 1989

Soundgarden
Louder Than Love

Grunge Rock | Album | 5 September 1989

Nirvana
Bleach

Grunge Rock | Album | 15 June 1989

This is the humble beginnings of a band no one ever expected would be any more than a blip on the radar, and indeed Nirvana's debut only sold a few thousand copies in its first couple of years of existence. Recorded over a 12 month period (although rock legend would have us believe it was in a single session) the time taken to record this motley collection certainly doesn't reflect in the cohesiveness of the songs. With mostly rough and simple compositions we see only a hint or two of the grunge-pop that would change the rock landscape two years later with Nevermind. The contrasts of The Beatles-like 'About A Girl' alongside the abrasive metal stylings of 'Negative Creep' or 'School' is perfectly sequenced, with the track running order mimicking the heavy/soft dynamics that characterised many of the band's songs. The lyrics are mostly simple and repetitive (and often odd or goofy), but they are very much in keeping with Cobain's quirky style - and some of these songs had been in his repertoire for a number of years. Jack Endino's production is flat, but like all of his work at Reciprocal, is has a razor sharp edge to it that better studios would probably never be able to come to naturally. The album ends of the melancholy strains of 'Sifting', leaving us feeling like Cobain is searching for something he just can't find - something no doubt reflected in his real life.

Faith No More
The Real Thing

Alternative Rock | Album | 3 July 1989

TheBigBlack's Rock Honourable Mentions

Mother Love Bone
Shine

Grunge Rock | E.P. | 20 March 1989

TheBigBlack's Metal Top 10

Deliverance
Deliverance

Thrash Metal | Album | ?? ?? 1989

Carcass
Symphonies Of Sickness

Death Metal (Grindcore) | Album | 4 November 1989

Obituary
Slowly We Rot

Death Metal | Album | 16 May 1989

Testament
Practice What You Preach

Thrash Metal | Album | 4 August 1989

Mortal Sin
Face Of Despair

Thrash Metal | Album | ?? March 1989

Believer
Extraction From Mortality

Thrash Metal | Album | ?? ?? 1989

Sepultura
Beneath The Remains

Thrash Metal | Album | 5 September 1989

Although the term didn't really exist at the time, the first handful of Sepultura albums were deeply rooted in death metal, and were hugely influential to later bands in the genre. But 1989's 'Beneath The Remains' the band were largely ensconced in a genre that had been named - thrash. Much like the rest of the Brazilian metal scene at the time the band still made their metal with intensity, rather than melody, and straight out the gate (after a short acoustic interlude to introduce the album) the track 'Beneath The Remains' bulldozers its way through the listener's eardrums. 'Inner Self', with its great double time chorus, has slowly become a no-holds barred 80s metal classic, and it is followed by another strong track in 'Stronger Than Hate' straight after. Although thrash by nature the album is still extreme, and at times the pummelling riffwork and drums are unrelenting on tracks like 'Slave Of Pain'. The band's follow up album 'Arise' is arguably a better album, but 'Beneath The Remains' keeps just enough of the primitive early sound of the band in place against the backdrop of better production to make this a truly unique and satisfying album that will be known as a classic of the genre.

Morbid Angel
Altars Of Madness

Death Metal | Album | 12 May 1989

Kreator
Extreme Aggression

Thrash Metal | Album | 19 June 1989

Exodus
Fabulous Disaster

Thrash Metal | Album | 15 February 1989